Many of the stories were later reused by more high profile shows such as Suspense, but on the whole the Escape versions were of equal quality and sometimes more dramatically focused and atmospheric.
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It was a brilliantly scripted and superbly produced series that brought to listeners adaptations of classic works by famous writers as well as brand new work by unknown talent.
This may give the wrong impression as Escape was far more than a swashbuckling adventure yarn. Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you. For the first few years the series was on air the announcement at the start of the show varied almost every week, but by the 1950s it had settled down to be the now famous: Over two-hundred episodes were made and almost all of them are as good today as they were over half a century ago. Each of the episodes was a micro drama carefully planned to capture the listeners attention for thirty minutes. The title itself almost sums up the very essence of what radio drama is all about. Escape is probably the best adventure anthology ever broadcast.Įscape brings together everything that was good about old-time radio drama rolled into one. In my opinion, and that of many old radio aficionados, this couldn't be further from the truth. The quite flagrant disregard CBS paid to having a regular timeslot for Escape could make you think that it was just a run-of-the-mill series that was nothing but a lightweight filler for those times when the regular show was off-the-air, such as during the quiet summer months. To make matters even worse it had a habit of coming and going and sometimes disappearing off the schedules altogether at short notice for weeks on end only to resurface weeks later in a completely different timeslot. One exception to this rule was the dramatic adventure anthology series called Escape, whose time-slot shifted an incredible eighteen times in its seven-year run from 1947 through to 1954. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve. In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week.
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